Boards & Governance
Board of Directors
The Grand Theatre is a not-for-profit, CRA-registered charitable organization in Ontario, Canada. Charitable #119214278 RR 0001. The Grand Theatre is a producing theatre organization and is governed by a volunteer board of directors, elected at the Annual General Meeting. The board provides governance-level fiduciary oversight over the organization, and hires the Artistic and Executive Directors. The Board President may be reached by email at boardpresident [at] grandtheatre.com (boardpresident[at]grandtheatre[dot]com), or by contacting the Executive Director, or by mail to:
Board President
Grand Theatre
471 Richmond Street
London ON N6A 3E4

Matt Parr, Chair
Matt Parr has been a member of the Board since 2016. He is a local Mortgage Agent L2 with TMG - The Mortgage Group.
“My first memory of seeing a theatre production goes back to my time as the University of New Brunswick when I saw a a student production of 1984. I was hooked on live theatre ever since.
Along the way I’ve collected a lot of favourite Grand Theatre memories… to name only a few! The Black Bonspiel of Wullie McCrimmon in 2003–04; Annie in 2005–06; Proof from 2003—Keith Dinicol was incredible; Cabaret on the McManus Stage; Mary Poppins in 2019 and more even recently Clue in 2023 and The Sound of Music in 2024.
Some of my most cherished moments include taking my son to his very first show—the dress rehearsal for Shrek—and having him attend his first Grand Gala this past season.”

Nicole Blanchette, Vice-Chair
Nicole Blanchette is the Executive Director of La ribambelle, French Early Years Services in London and Sarnia. She has also worked for 15 years at Radio-Canada Television in Montreal as an Advertising Consultant.
"Since I moved to London from Montreal, over 20 years ago, I was looking for a way to connect with the English culture and community. I was first exposed to an English play at the Grand and I was hooked! Not only was the venue beautiful but the quality of the play and the storytelling were impressive. Ever since then, I have seen countless plays and concerts at the Grand and I even bought on stage tickets twice which was such an experience. I am a strong believer in the power of storytelling and the arts to bring people together as a community and as citizens of the world. I could not be happier to be part of the team to support such a valuable organization."

George Kerhoulas, Past-Chair
George was elected to the Board in 2014. He is in sales with Cushman and Wakefield of Southwestern Ontario – a leading commercial real estate firm.
“At a past Grand Gala, I bid on and won a walk-on role for the Grand’s production of Miracle on 34th Street for my 8th grade daughter. The little girl who entered the stage that night was not the same one who walked off. I witnessed the unique power of theatre and am so proud to be a part of the Board.”

Jamie Campbell, Treasurer
Jamie is a Portfolio Manager & Financial Planner. He runs his own wealth management practice at BMO Private Wealth.
“I was always involved in the school plays during elementary school, and after seeing Phantom of The Opera for the first time, I was hooked on live theatre. The talent and passion that each actor brings to the stage is phenomenal. The Grand is such an integral part of London, and I am thrilled to be part of the team to continue to bring theatre to the region for generations to come.”

Anne Toal, Secretary
Anne joined the Board in 2017. A Western grad, Anne had a 34 year career at London Life until her retirement in 2014. She held a number of senior management roles and upon retirement was the Chief Compliance Officer for Great-West Life, London Life and Canada Life. Anne is the Secretary of the Board.
“I can't say I have a single favourite production - there have been so many excellent shows over the many years that we've been subscribers. We always enjoy the holiday productions and the high school projects, but we also love the intimacy of the McManus stage and the wide range of plays and talent on the Spriet stage. Every production on both stages has given us a wonderful evening, provoking thought and providing entertainment.”
Directors

Chris Alleyne, Director
Chris Alleyne is the Associate Vice-President of Housing and Ancillary Services at Western University, whose portfolio includes Western’s Student Housing department, Hospitality Services, and Retail Services. Chris was elected to the Board in 2023.
“At age four, the first song I ever played on the piano was ‘Memory’ from CATS. I grew up in Vancouver surrounded by the performing arts, actively participating in youth band and orchestra, piano, choir, and musical theatre. I remember being fascinated with musicals as a kid, reading and re-reading my parent’s playbills and souvenir programs.
I’m thrilled to be connected and engaged with the Grand, and seeing diverse stories shared with our London community. Some of my favourite shows mounted at The Grand include Cabaret, Dreamgirls, Kim’s Convenience (2013), and Into the Woods (HSP).”

Robert Bierbaum, Director
Robert Bierbaum is the Vice President at Old Oak Properties. The Bierbaum family have been patrons and supporters of the Grand Theatre for three generations and more than 40 years. Robert is excited to continue that partnership and work to enhance art and culture in the Forest City.
“Theatre has the power to inspire, transform, and build deep connections in any community. I’ve been seeing productions at the Grand Theatre since I was young and have fond memories of countless shows. The Grand has elevated London’s arts scene and I’m thrilled to be a part of the theatre’s continued growth and evolution.”

Carl Cadogan, Director
Consummate executive and people person with more than 30 years of senior management experience in the charitable sector, specializing in connecting people to people and with services and creating environments that support creativity and develops leadership skills in subordinates and peers. I am passionate about justice and fair play, and that passion has led me to work with disadvantaged youth, Aboriginal Peoples and those who face ongoing challenges in employment, settlement and access to services in Canada and around the globe.

Blair Fantillo, Director
Blair is the global general counsel to Solventum's Dental Solutions Business.
Blair first joined the board in 2016 and sits on the Finance and Governance Committee.
He is a big believer in the importance of the arts in society and in everyday life. Blair is an amateur musician having sung in numerous choirs since childhood most recently with the Amabile and London Pro Musica choirs. Blair is also President of the Jeffery Concerts, an organization that focuses on music education and excellence in chamber music performance. He also volunteers with the London Arts Council.

Ron Koudys, Director
Ron is the Principal at Ron Koudys Landscape Architects – an award winning firm with projects that span the globe.
Ron first joined the Grand Theatre Foundation Board in 2004 and currently serves as the President of that Board. He has been a member of the Operating Board since 2010.

Ron on Tech Crew
“My first contact with theatre was in high school. I joined the tech crew for the production of Guys and Dolls. I think my main motivation was to meet some of the cute girls in the cast. On opening night my job was to pull the ropes to open the curtain. When the band struck up the music it was my cue, but when I pulled on the rope, the curtain wouldn't open. I pulled harder, still no response. So I put all my weight into it and I then heard the broken bits of the supporting casters fall to the stage floor. The band was now in the second time through the opening piece, and the curtain wouldn't open. Meanwhile, the performers are all on the stage looking at me. The only thing I could do was walk out to the middle of the stage, grab the curtain in my hands and drag the one half open, and then dash out again and pull across the other half, all to the applause of the audience. The show was a big success but I was long remembered as the guy who broke the curtain.”

Jennie Kraehling, Director
Jennie Kraehling is the Associate Director of the Michael Gibson Gallery. A Queen’s University grad, she has worked at the gallery since 2001. She was named the inaugural 2022-2023 Curator in Residence at the McIntosh Gallery and recently enjoyed 8 years as a curatorial art committee member for Art with Heart, an annual art auction in support of Casey House.

Jane Scholes, Director
Jane Scholes is a lawyer and partner at Lerners LLP in London, Ontario. She received her HBA/JD Dual Degree from the Richard Ivey School of Business and Western University Faculty of Law. She started her career at a large Bay Street firm, before returning to London and starting at Lerners in 2018. Jane has a diverse advocacy and dispute resolution practice in health law, commercial litigation, education, and labour and employment. She is also a certified workplace investigator. She has appeared in all levels of court in Ontario and at the Supreme Court of Canada. As an independent investigator, she investigates highly complex, contentious, and sensitive matters arising from conflicts in unionized and non-unionized workplaces. In her spare time, Ms. Scholes enjoys adventure travel with her two young children and spouse. She made her theatre debut in her elementary school’s production of “Annie”; these days, other than the art of performing in the courtroom, she (mercifully) sticks to a seat in the theatre audience and on the board of the Grand.

Dr. Robert (Bob) Sokol, Director
Dr. Sokol (who is lovingly referred to as Dr. Bob) is one of our longest serving Board members at 18 years... and counting. Dr. Sokol served as the President of the Board and Chairs the Board of “The Friends of the Grand” – which assists with outreach and fund raising efforts in the US. He may be ‘retired’ but on paper only, as he is Emeritus Dean and Emeritus Distinguished Professor of Obstetrics and Gynecology and Physiology at Wayne State University School of Medicine. He is also an Adjunct Professor of Epidemiology and Biostatistics at Michigan State College of Human Medicine.
“I’ve been involved with theatre since grammar school, mainly “backstage” as a lighting and set designer and director. I worked as a professional theatre photographer with equity, academic and amateur companies for six years, while in training as a physician. I think the two highest impact productions I’ve seen at the Grand were Three Tall Women years ago, which I consider as good as the recent Broadway revival, and our recent Cabaret, which was absolutely the most riveting, and terrifyingly good production of the musical I’ve seen.”
Katie Wilhelm
Katie Wilhelm, RGD (she/her), is an award-winning Indigenous designer and consultant based in London, Ontario. She is a proud member of the Chippewas of Nawash Unceded First Nation at Neyaashiinigmiing.
Prior to founding her design practice, Katie specialized in corporate communications, particularly in economic development. She has been a leader in London’s arts and culture sector since 2009 and currently serves on the Board of Directors of the London Chamber of Commerce and on the First Nations Collaborative Council of Ontario’s Education Quality and Accountability Office (EQAO).
In naming her a Top 20 Under 40 recipient (2021), London Inc. Magazine described her as “a champion for the Indigenous community, continuously inspiring others to create a more colourful future for London.”
Jen Matthews
A long-time supporter and donor of the Grand Theatre, Jen is returning as CEO of the Better Business Bureau of Western Ontario, a role she previously held from 2021 to early 2025, following a recent position as Vice President at TechAlliance. She holds an Honours BA from the University of Waterloo and is deeply connected within the region and to the Grand.
Jen brings board experience with the Old South Business Association, the Canadian Club of London, and CISV London. She is also a former Grand Theatre employee, having served as Communications Manager from 2019–2021.
Beck Lloyd
Beck Lloyd is a highly respected actor with notable performances on our Spriet Stage, including Pride & Prejudice and Controlled Damage. Additional selected credits include: Measure for Measure (Crow’s/House & Body); Hamlet (Canadian Stage); The Tempest (Theatre Rusticle/Buddies in Bad Times); and The Miser, Grand Magic, Richard III, and r+j (Stratford Festival).
A graduate of the MFA Program at York University, the Birmingham Conservatory for Classical Theatre, and Factory Mechanicals, Beck teaches acting, text, and Shakespeare across Ontario. In addition to her work as an actor and educator, she has contributed to publications such as the Canadian Theatre Journal and recently completed her directorial debut with Toronto theatre company Shakespeare in Action.
Sukhi Bains, Director
Tyler Reavell, Director
Foundation Board
The Grand Theatre Foundation is a not-for-profit, CRA-registered charitable organization in Ontario, Canada. Charitable #119214260 RR 0001. The Grand Theatre Foundation is governed by a volunteer board of directors, and provides governance-level fiduciary oversight over the Grand Theatre Foundation’s facilities & assets. The Grand Theatre Foundation Board President may be reached by mail to:
Board President
Grand Theatre Foundation
471 Richmond Street
London ON N6A 3E4
Ron Koudys, President
Jamie Crich, Vice President
Bill Assini, Treasurer
George Kerhoulas, Secretary
Thomas Burnett
Dianne Cunningham
Elizabeth Drewlo
Chris Jackman
Peter Markvoort
Matt Parr
Robert Schram
Anita Shah
Tom Tillmann


